QUDDUSI SAHAB KI BEWAH CAST NAMES

She is a perfect Delhi-wali oldie when she does the role of Shakooran Begum and does complete justice to her other major roles such as Rooh Afza and Badraka Jahan. Both families are later shifted to a new house which is owned by Shakooran, when Shagufta Jahan is married to Aleem-ud-Din. Bengali Baji should die of her own magical errors because she is too haunting. They can never be confined and are immortal. Children also had a corner for themselves, and their toys would be found littered all over it. She further explains that these sayings and proverbs were loaded with sarcasm and acerbity that was a form of outlet of expressing their frustrations. Kaheen ki mitti kaheen ka rodha Paan main thee na kunba joda Bain na kooda koodee kaun Yeh tamasha dekhay kaun Muflisi main ata neela Old-fashioned words used in first episode of QSKB: Every Friday at 8 pm Writer:

From Wikipedia, the free encyclopedia. Aqeela Bhabhi is also a major character who is a neighbor and a good friend of Shakooran. History is evident to art getting more and more refined whenever obstructions have been erected in its way. The householder Aleem-ud-Din lives upstairs with his family consisting of his wife Nunhi, a divorced daughter Bhunarya, a son Maqsood and daughter-in-law Rooh Afzaa. Main menu Skip to primary content. This aspect of the story is so disturbing that sometimes it makes the viewer think if marriage or men are the only things one needs to have a great life. For a good laughter, the serial is fine only if you have a not so good taste otherwise it should be now concluded before it turns into something extremely shoddy.

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February 10, Cast: They had elaborately carved or lacquered legs, very often of silver. This includes already married men, old and aged men, servants and visibly wealthy elderly hotel managers.

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Bengali Baji should die of her own magical errors because she is too haunting. Songs in first episode of QSKB: Unsourced material may be challenged and removed.

The householder Aleem-ud-Din lives upstairs with sahan family consisting of his wife Nunhi, a divorced daughter Bhunarya, a son Maqsood and daughter-in-law Rooh Afzaa. Takhats were always placed against a wall, and had several bolsters scattered over them for one to recline on.

Main menu Skip to primary content. The first problem with this serial quddusl Hina Dilpazeer over-exposed. Bijli bhari hai meray ang ang main Joh mujh ko choolay ga woh jal jayega Film: Waqar Hussain as Wudud Ahmed, the only brother of Khajista, Badrika and Shagufta, who cooks for the women of his household and who is caught up in the unfortunate battle between his masculine and feminine side.

Posted on July 24, by Marzia Raza. You are commenting using your Facebook account. Hina Dilpazeer played multiple roles.

Besides the language it is the constant referencing of Pakistani film songs especially by the wonderful crooner Naheed Akhtar that makes QSKB an engaging watch. This show is to die for funny.

The takhat was, literally, the stage of all household activities. Notify me of new comments via email. Naheed Akhtar Original song and its link: Family DramaComedy. Aqeela is kicked out of her own house by her sons and lives with Shakooran, who makes her do all the housework. This aspect of the story ik so disturbing that sometimes it makes the viewer think if marriage kl men are the only things one needs to have a great life.

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Talent Unlimited: Hina Dilpazeer in Quddusi Sahab Ki Bewah!

This article needs additional citations for verification. In the introduction to her book: Even shopping was carried on from there, for women vendors brought their goods and spread them at the foot of the takhat. Post was not sent – check your email addresses! The desire for men among these women has been shown so strong that they settle for every second man they meet.

Quddusi Sahab Ki Bewah – Wikipedia

Both families are later shifted to a new house which is owned by Shakooran, when Shagufta Jahan is married to Vast. To find out more, including how to control cookies, see here: It is like watching a modern day middle class zenana.

She is a perfect Delhi-wali oldie when she does the role of Shakooran Begum and does complete justice to her other major roles such as Rooh Afza and Badraka Jahan. Undoubtedly, she succeeds in entertaining her fans in an excellent manner but watching her doing casf new role is very boring and monotonous.