DRAMA CUPAK GERANTANG

Balinese dance can not be separated from religion. The Panyembrama has taken many of its movements from temple dances, such as the Rejang Dance, Pendet and Gabor, which are considered sacred and performed exclusively for God. Barong came with Erlangga’s soldiers, and fight ensued. There are two sets of puppets, those of the right for the heroes, and those of the left for the villains, symbolize the internal fight of good and evil. When the king Airlangga heard of the epidemic in Girah, he consulted his high priest, Mpu Bharadah. One day, her son-in-law found it and gave it to his father. Arja dance-drama developed around and its tragic themes basically are derived from the classical romances of the kingdoms of East Java-Kediri, Singasari and Majapahit. It is also another story telling dance, narrating the fight between good and evil.

Led by a jury, this dance starts with two dancers, while the rest sit in a circle, cracking jokes and singing, while waiting their turns. In Kebyar Trompong, the dancer joins the orchestra by playing a long instrument called the trompong while dancing. A monkey informed the brothers that the princess is kidnapped by a witch who likes to eat flesh. The song, music, dance and costume of Cekepang are spectacular. There are two sets of puppets, those of the right for the heroes, and those of the left for the villains, symbolize the internal fight of good and evil. The dance played episodes from the Ramayana and Mahabharata epics in the old Kawi language. Arja dance-drama developed around and its tragic themes basically are derived from the classical romances of the kingdoms of East Java-Kediri, Singasari and Majapahit. Before Cupak is about to be crowned as king, Grantang challenges him to a fight.

With her long shawl in the hand, she goes among the spectators and invites a man by pointing at him with her fan, or touching him at the waist. A monkey informed the brothers that the princess is kidnapped by a witch who likes geraantang eat flesh.

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Cupak Gerantang Traditional Theatre is one of the folklore in Lombok, West Nusa Tenggara.

The are several versions of the Barong Dance during Galungan Kuningan festivals. The dialogue of the Arja consists of songs, so this dance-drama is the Balinese dance-opera. In a love scene in which they rub noses, the Cuak takes leave of Rangkesari. In one sequence, the female dancer dances in the seated position while she sensuously sways and waves her hands.

On the other hand, the demon king, Rawana, is arrogant and bad-tempered. The people frightened and consulted a priest who told them to create another barong like Jero Gede Mecaling to scare away the demon. The priest had no choice but to fight and, in a deadly struggle, destroyed the widow by casting a spell. Trunajaya dance is usually performed by a single female but gfrantang two, dancing together in synchronous movements and to the mesmerized sounds of Gong Kebyar, a fast rhythmic beat which goes in harmony to the dance.

Although Prembon has a resemblance to Topeng performance, but watching Prembon gives an excellent glimpse of all dance genres above. Each performance of Hanuman will never be the same. The Joged dance is typically accompanied by a gamelan ensemble of bamboo instruments called a gamelan joged bumbung.

Cupak Gerantang 2

Even dances for the tourists are always preceded by a small offering of food and flowers. The expression is completed by mimicry of the face.

Cuppak men have painted moustaches and bear the self assured look of an aristocrat. As the dance progresses, the dancer crosses the floor on the outer edges of his feet and approaches a member of the orchestra.

The better he is, the louder the cheers and roar gerantahg the crowd.

Jero Gede has a frightening black face, while Jero Luh has a comical white or yellow face. At the end, Barong won, and Rangda ran away.

It dates back to the ancient Pre-Hindu culture, a time drxma Balinese people strongly believed that a dance could cure sickness and disease. Although it is performed as a comic opera, Cupak dance is really an epic tale of jealousy, heroic actions, and betrayal. Mpu Bharadah forgave her and showed her the way to heaven. In the fight that ensues he is killed. Sanghyang Dedari is performed by two girl dancers who are put into trance xrama dancing.

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Cupak Gerantang Traditional Theatre is one of the folklore in Lombok Stock Photo: – Alamy

Grantang defeats Cupak easily that leads him to wed the princess. In the meantime, Grantang manages to climb out of the well on a ladder made from the witch’s bones. In legends, Legong is the heavenly dance of divine nymphs. This dance-drama is the occasion for the Balinese people to socialize, therefore, Drama Gong has become more popular than Arja Dance. The dance played episodes from the Ramayana and Mahabharata epics in the old Kawi language. The episodes performed are usually relevant with the rites taking place; during a wedding ggerantang performs a wedding story, and at a death ritual a visit to hell by the heroes.

He meets Cupak, but Cupak refuses to recognize him and has him thrown into the sea. With the exception of the trance dances, much of the Balinese dance heritage originating from Java.

A procession is formed and the women weave around the temple grounds in stylized patterns to the gong music, stopping in front of each shrine to offer up their offerings. He plays several characters at once, singing and hitting his puppet box to mark the rhythm.