BASHU IRAN MOVIE

Modabber who is a dubber see his wife Kian sitting in a car of a stranger in one scene of a documentary he is been dubbing. Was this review helpful to you? Bashu falls asleep on the truck, and when he wakes up, he can hardly believe his eyes. Like her neighbors, Nai is fair-complected; southerner Bashu, on the other hand, is dark-skinned, and his skin color and odd-seeming habits such as playing his flute to help the rice grow earn him the taunts of the neighbor’s children. We are the children of Iran. Much of the credit must go to the cast–from the gifted Taslimi and Afravian to the uniformly capable supporting players. Nai’s husband, we learn later, is away “looking for work,” though the implication is that. The Malayalam movie Kaazhcha was reported to be inspired by this movie.

Instead, he finds that his friend is a drug addict. The next morning, Bashu wakes up to sunlight streaming through the door, now open. Bashu, the Little Stranger 8. The most “mature” this is misleading term since other Beizai’s films are great as well but for want of a better I’m going to use it film I’ve seen from Iran’s forgotten master. Bashu falls asleep on the truck, and when he wakes up, he can hardly believe his eyes. The most beautiful and formalist of the films from my Iranian Cinema class. The tenants of a rundown building on the outskirts of Tehran with no legal heir face major housing problems to deal with: In a gesture of reciprocation and perhaps love, Bashu cares for Na’i when she falls ill, as she had done for him, crying for her and beating a drum in prayer.

But it finally got a screening permit after the end of Iran-Iraq war. One of an increasing number of Iranian films arriving in the US in the wake of the Ayatollah Khomeini’s demise, this deceptively simple tale of a young boy orphaned by the Iran-Iraq war was made under government sponsorship but banned, presumably for its pacifistic sentiments. It’s amazing how many good films have come out of Iran over the last generation.

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A southern boy accidentally meets with a northern kran in her small village and they both begin to discover so much about life complications.

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Was this review helpful to you? The movie has an important message for us. A simple, human, quite touching Iranian film, about a 10 year old boy whose family is mivie when the Persian Gulf is bombed by Iraq.

A Star Is Born 7. Bayzai does that masterfully. The Best Films Ever Made – But beneath this simplicity is a surprising wisdom and a richness of emotion. Killing Mad Dogs Ballad of Tara Also called as the greatest movie Iran ever produced by some, movif is a treat to watch especially the interaction between Bashu the outsider and his adopted mother who cannot understand each other’s languages.

Retrieved from ” https: She feeds Bashu, washes his clothes, and nurses him when he falls ill, all the while thinking she is just caring for him until his parents show up to claim him. BASHU offers eloquent universal messages about racial tolerance and the strength of the family.

Bridge of Sleep Admin T The Fateful Day Scared, he sneaks into a truck that is leaving the area. The most beautiful and formalist of the films from my Iranian Cinema class.

As the first film in Iranian cinema that challenges the idea of a singular nationhood, Bashu promotes an ethnically aware sense of unity by depicting raw human emotions in scenes where protagonists speak in their regional languages. Views Read Edit View history. He is also unsuccessfully trying to finish his Ph.

In a series of flashbacks and dreams, Hamoon tries to figure In short order, however, she relents, leaving behind part of her picnic lunch when she and her children go back to the house. There are moments and shots in this film that are unforgettable and phenomenal. It became the predominant method through which educated Iranians of diverse ethnicities, predominantly men, would communicate with one another.

That night, Nai leaves rice and water outside her front door, luring Bashu out of hiding. Conveying the anti-black sentiments that plague Iran, the villagers in the film frequently compare Bashu to charcoal, call him a thief and an ill-bearing omen, and attempt to scrub away his blackness to turn him clean — white. The film was produced inand was released in Death of Yazdgerd is the story of death of the last king of Iran before Muslims invade Iran.

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He gets off the truck in the Northern part of the country, where everything from landscape to language is different. While technically it might not be that great, editing is mediocre and fake props can clearly be pointed out, but still it has some moments which can be remembered for quite some time.

It should be noted, however, that the early war scenes may be too intense for the very young. The tenants of a rundown building on the outskirts of Tehran with no legal heir face major housing problems to deal with: Like her neighbors, Nai is movi southerner Bashu, on the other hand, is dark-skinned, and his skin color and odd-seeming habits such as playing his flute to help the rice grow earn him the taunts of the neighbor’s children.

A Man of Integrity Admin T He ends up on the farm of Na’I who sees him hiding within the trees and leave food out for him. Feel like Beyzai isn’t as revered or watched as some of the more famous Iranian directors Kiarostami, Makhmalbafbut it seems to be from reading the reviews on Letterboxd that a lot of Iranians have fond memories of watching this.

Bashu, The Little Stranger – Persian Film Festival Australia

Vaghti hame khaabim A mother, Naii, with two children of her own, takes in a dark stranger, a boy, Bashu. Scared, he sneaks into a truck that is leaving the area. Search for ” Bashu, gharibeye koochak ” on Amazon. The other adults in the village harangue Na’i about taking Bashu in, often deriding his dark skin and different language, and making comments about washing the dark off of his skin.

Although simple, it can be forgotten readily: The sisters’ mother refuses to accept her daughter’s death Works by Bahram Beyzai. The next ten years of his life were dedicated to writing in various publications about Eastern Art and Iranian theatre. Yes No Report this.